Abbott and Costello Meet the Mummy - USA, - HORRORPEDIA
Comedy legends Bud Abbott and Lou Costello encounter one of Universal's most unforgettable monsters in Abbott and Costello Meet The Invisible Man. Recent. Abbott and Costello Meet the Invisible Man ();  [IMDb] Abbott and Costello Meet the Keystone Kops ();  [IMDb] Abbott and Costello Meet the. He was often cast in supporting roles, and -- due to his build -- he House of Dracula (), Abbott and Costello Meet Frankenstein (), and Space Patrol . The Flash (CBS), Babylon 5, and a wealth of mainstream dramas and comedies. . Millennium, Babylon 5, Crusade, The Invisible Man, Heroes, Stranger at the.
In he went to Hollywood to become an actor, but could find work as a laborer or extra at Metro-Goldwyn-Mayer and Warner Brothers. His athletic skill brought him work as a stunt man. He can also be spotted sitting ringside in the Laurel and Hardy film The Battle of the Century, indiscouraged by his lack of success, he hitchhiked back home but ran out of money in Saint Joseph, Missouri during the Great Depression. There he changed his name to Costello, after actress Helene Costello.
Soon after that he went back to New York and began working in vaudeville, Costello crossed paths with a talented straight man named Bud Abbott.
Bud Abbott Lou Costello Meet the Invisible Man () - Full Cast & Crew - IMDb
In they first worked together at the Eltinge Theatre on 42nd Street in New York City when Costellos partner failed to show, Abbott and Costello formally teamed up in Reportedly their first disagreement was over a booking in a show at the Steel Pier in Atlantic City. Costello wanted to take the gig, but Abbott was resistant, Costello offered to give Abbott a larger split of their salary, and Abbott agreed.
Years later, in the flush of their Hollywood success, Costello reversed the salary split, in his favor. Abbott and Costello were signed by the William Morris talent agency, which succeeded in landing them featured roles and national exposure on The Kate Smith Hour, the teams signature routine, Whos On First.
Made its radio debut on Smiths show that year, many of the teams sketches were further polished by John Grant, who was hired soon after the team joined the radio show 2.
Cochrane, one story has Laemmle watching a box office for hours, counting patrons and calculating the days takings. Within weeks of his Chicago trip, Laemmle gave up dry goods to buy the first several nickelodeons, for Laemmle and other such entrepreneurs, the creation in of the Edison-backed Motion Picture Trust meant that exhibitors were expected to pay fees for Trust-produced films they showed.
Soon, Laemmle and other disgruntled nickelodeon owners decided to avoid paying Edison by producing their own pictures, in JuneLaemmle started the Yankee Film Company with partners Abe Stern and Julius Stern. Laemmle broke with Edisons custom of refusing to give billing and screen credits to performers, by naming the movie stars, he attracted many of the leading players of the time, contributing to the creation of the star system.
Laemmle, who emerged as president in Julywas the figure in the partnership with Dintenfass, Baumann, Kessel, Powers, Swanson, Horsley. Eventually all would be out by Laemmle. Following the westward trend of the industry, by the end of the company was focusing its efforts in the Hollywood area. On March 15, Laemmle opened the worlds largest motion picture production facility, Universal City Studios, studio management became the third facet of Universals operations, with the studio incorporated as a distinct subsidiary organization.
Unlike other movie moguls, Laemmle opened his studio to tourists, Universal became the largest studio in Hollywood, and remained so for a decade. However, it sought an audience mostly in towns, producing mostly inexpensive melodramas, westerns. In its early years Universal released three brands of feature films — Red Feather, low-budget programmers, Bluebird, more ambitious productions, and Jewel, their prestige motion pictures. Leonard, George Marshall and Lois Weber, despite Laemmles role as an innovator, he was an extremely cautious studio chief.
Unlike rivals Adolph Zukor, William Fox, and Marcus Loew and he also financed all of his own films, refusing to take on debt. Character actor Lon Chaney became a card for Universal in the s 3.
Abbott and Costello — Abbott and Costello were a comedy double act during the early Classical Hollywood era of American cinema. The team was composed of William Bud Abbott and Lou Costello whose work in vaudeville and on stage, radio, film and television made them the most popular team during the s.
Their patter routine Whos on First, is one of the best-known comedy routines of all time and set the framework for many of their best-known comedy bits. Bud Abbott was a veteran burlesque entertainer from a business family. He worked at Coney Island and ran his own burlesque touring companies and he first worked as a straight man with his wife Betty, then with veteran burlesque comedians like Harry Steppe and Harry Evanson. When he met his partner in comedy, Abbott was performing in Minskys Burlesque shows.
Lou Costello had been a burlesque comic sinceafter failing to break into acting and working as a stunt double. This first performance together occurred due to Costellos regular partner being ill, when AMC moved the old theater ft further west on 42nd Street to its current location, giant balloons of Abbott and Costello were rigged to appear to pull it. Other performers in the show, including Abbotts wife Betty, advised a permanent pairing, the teams first known radio appearance was on The Kate Smith Hour in February The similarities between their voices made it difficult for listeners to tell them apart during their rapid-fire repartee.
To solve the problem, Costello began affecting a high-pitched, childish voice, was first performed for a national radio audience the following month. They performed on the program as regulars for two years, while also landing roles in a Broadway revue, The Streets of Paris, inUniversal Studios signed them for the film One Night in the Tropics.
Cast in supporting roles, they stole the show with several classic routines, the same year they were a summer replacement on radio for Fred Allen. Two years later, they had their own NBC program, The Abbott, Universal then signed them to a long-term contract, and their second film, Buck Privates, in made them box-office stars and saved Universal from imminent bankruptcy.
The singing sisters became good friends with Costello during this period, enjoying many barbecues, inthe two acts traded guest appearances on each others top-rated radio shows. Bud and Lou made 36 films together between and and they were among the most popular and highest-paid entertainers in the world during World War II. The Phantom of the Opera film — The film remains most famous for Chaneys ghastly, self-devised make-up, which was kept a studio secret until the films premiere.
Polis, and Snitz Edwards. The last surviving cast member was Carla Laemmle, niece of producer Carl Laemmle, based on the general release version ofwhich has additional scenes and sequences in different order than the existing reissue print.
The film opens with the debut of the new season at the Paris Opera House, comte Philippe de Chagny and his brother, the Vicomte Raoul de Chagny are in attendance. Raoul visits her in her room during the performance, and makes his intentions known that he wishes for Christine to resign.
Christine refuses to let their relationship get in the way of her career, at the height of the most prosperous season in the Operas history, the management suddenly resign. As they leave, they tell the new managers of the Opera Ghost, the new managers laugh it off as a joke, but the old management leaves troubled.
After the performance, the ballerinas are disturbed by the sight of a man in a fez. Arguing whether or not he is the Phantom, they decide to ask Joseph Buquet, Buquet describes a ghastly sight of a living skeleton to the girls, who are then startled by a shadow cast on the wall. The antics of stagehand Florine Papillon do not amuse Josephs brother, Simon, Carlotta, the prima donna of the Paris Grand Opera, barges into the managers office enraged.
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She has received a letter from The Phantom, demanding that Christine sing the role of Marguerite the following night, the following day, in a garden near the Opera House, Raoul meets Christine and asks her to reconsider his offer.
Christine admits that she has been tutored by a voice, the Spirit of Music. Raoul tells her that he thinks someone is playing a joke on her, wednesday evening, Carlotta is ill and Christine takes her place in the opera. During the performance, the go to Box 5 to see exactly who has taken it. The keeper of the box does not know who it is, the two managers enter the box and are startled to see a shadowy figure seated there. They run out of the box and compose themselves, but when they enter the box again, in her next performance, Christine reaches her triumph during the finale and receives a standing ovation from the audience.
When Raoul visits her in her room, she pretends not to recognize him, because unbeknownst to those in the room 5. The Cat and the Canary film — The Cat and the Canary is a American silent horror film adaptation of John Willards black comedy play of the same name.
The plot revolves around the death of Cyrus West, who is Annabelle, Charlie, and Pauls uncle, Annabelle inherits her uncles fortune, but when she and her family spend the night in his haunted mansion they are stalked by a mysterious figure. Meanwhile, a known as the Cat escapes from an asylum.
The film is part of a genre of horror films inspired by s Broadway stage plays. Paul Lenis adaptation of Willards play blended expressionism with humor, a style Leni was notable for, Lenis style of directing made The Cat and the Canary influential in the old dark house genre of films popular from the s through the s.
The film was one of Universals early horror productions and is considered the cornerstone of Universals school of horror, the play has been filmed five other times, with the most notable in starring comedic actor Bob Hope and Paulette Goddard.
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In a decaying mansion overlooking the Hudson River, millionaire Cyrus West approaches death and his greedy family descends upon him like cats around a canary, causing him to become insane. West orders that his last will and testament remain locked in a safe, as the appointed time arrives, Wests lawyer, Roger Crosby, discovers that a second will mysteriously appeared in the safe.
The second will may only be opened if the terms of the first will are not fulfilled, the caretaker of the West mansion, Mammy Pleasant, blames the manifestation of the second will on the ghost of Cyrus West, a notion that the astonished Crosby quickly rejects.
The will, however, stipulates that to inherit the fortune, she must be judged sane by a doctor, if she is deemed insane, the fortune is passed to the person named in the second will. The fortune includes the West diamonds which her uncle hid years ago, Annabelle realizes that she is now like her uncle, in a cage surrounded by cats. While the family prepares for dinner, a guard barges in, the guard tells Cecily, Hes a maniac who thinks hes a cat, and tears his victims like they were canaries.
Meanwhile, Crosby suspects someone in the family try to harm Annabelle. Before he speaks the name, a hairy hand with long nails emerges from a secret passage in a bookshelf and pulls him in. When she explains what happened to Crosby, the family immediately concludes that she is insane, alone in her assigned room, Annabelle examines a note slipped to her which reveals the location of the family jewels, fashioned into an elaborate necklace. She follows the instructions and soon discovers the hiding place 6.
Wilbur begins reading a placard detailing a brief history of Dracula. While reading it, Dracula begins to slowly open his coffin. The sound of the creaking scares Wilbur and he calls out for Chick.
Chick returns to the room, but dismisses Wilbur's fears. He thinks the placard he is reading is stimulating his imagination. He goes back outside. Wilbur continues reading until he hears the coffin creaking again.
Looking towards it, he sees Dracula's hand emerging from beneath the lid. He calls out for Chick again, but by the time he returns, Dracula shrinks back into his coffin. Chick yells at Wilbur and tells him to put this nonsense out of his head. He goes back to work outside. This same antic repeats itself two more times, but Dracula manages to get out of his coffin while Wilbur is turned away. When Chick comes back into the showroom, he decides to settle the nonsense once and for all.
He opens Dracula's coffin, which is now empty. The two men then get to work on uncrating the Frankenstein Monster. This time it is Chick who reads the placard and Wilbur grows scared again.
As they start to remove the packing material, Wilbur sees the face of the Frankenstein monster and begins whimpering. McDougal and his insurance agent show up and demand to know why all of the lights are turned out.
Chick goes up front to greet them and helps them adjust the fuse box to turn the lights back on. While all of this is going on, Dracula emerges and Wilbur encounters him face to face. Dracula hypnotizes Wilbur and has him stand silently in the corner. He then withdraws a small mechanical device and attaches it to either side of the neck of the Frankenstein Monster.
The monster awakens and Dracula orders him to pick up his coffin and follow him. By the time McDougal and Chick come into the room, the monsters are gone. McDougal blames Chick and Wilbur for stealing his exhibits and has them arrested.
Having been expecting the Count, she invites him inside. He tells her that he has recovered the Frankenstein Monster, and wishes to fully revive him so that he may assume full control over the creature. However, he doesn't want a rampaging, uncontrollable monster, and requires Mornay's scientific prowess to supply him with a new brain.
Mornay has just the perfect brain in mind; one that is pliable with no sense of willpower -- the brain of Wilbur Grey. This is the reason why Sandra has gone to such lengths to keep in close contact with Wilbur. Meanwhile, Chick and Wilbur have been bailed out of jail and have returned to their hotel room. Wilbur insists that he had seen Dracula and the Frankenstein Monster, but Chick still doesn't believe him. Moments later, Larry Talbot arrives at the hotel.
He goes to their room and introduces himself, indicating that he was the one who called from London warning them against opening the crates containing Dracula and the monster's bodies.
Wilbur naturally believes everything that Talbot says, but Chick thinks he's a screwball. Talbot knows that the moon will soon rise and tells the two that he has rented the room across the hall. He begs Wilbur to lock him in his room until morning. Wilbur finds it to be a strange request, but agrees nonetheless.
Once inside, Talbot prepares to transform into the Wolf Man. Wilbur returns to his room and sees that Larry forgot his luggage.